Types and Shadows

Dear Readers--

Here are some thoughts on an exhibit in the Museum of Art that my class recently viewed.

Types and Shadows

To me, Types and Shadows is representative of everything that BYU is about. In this exhibit, each piece was intended, at least in context, to point to Christ. Though each work was quite different from all the others, Christ was there in some way. This, I think, is the aim of a BYU education. Though all of us who attend the university will live unique and individual lives, it is the aim of the university to educate students each year whose lives will be centered on Christ and who will point the way to Christ for all those with whom they interact. There is a quote that I like (unfortunately I do not know who first said it) that charges us to “live so that those who do not know Christ but do know you will want to know him because they know you.”

Anyway, I’m getting off topic. Back to the exhibit. Several pieces really stood out to me, but I’ll discuss just one here. The first is one of the first pieces in the exhibit, a bronze in low-relief that depicts a boy or young man either falling from or reaching (almost as if jumping) to a rod that extends from the fingers of a man in a very cruciform position. I guess the artist didn’t necessarily intend for that man to be Christ, that particular interpretation makes sense to me. The detail in this piece, especially in the modeling of the body parts, astounds me. For example, the feet of the young man are very specifically shaped. They are pointed downward and slightly sickled, as if gravity is working its hardest on them. He may be falling—that was my initial thought because of the downward motion of the line of his legs and feet. But then I thought about the foot articulation work we’ve been doing in my Modern dance class and I realized that his feet are pointed in the exact way a foot acts after pushing off the ground. Moving all the way up his body to his extended hand, it does not look to me like a hand that has barely slipped from the rod and is letting go. It looks like a hand that is reaching for it and is about to grasp it. That hand seems to be the focus of all the energy in his body. I love that. I love the desperation in both figures—the boy who is expending all the energy of his soul towards reaching up and the man who is giving everything he can to reach out, despite the veil in between them. I think that this piece does an excellent job of depicting certain aspects of our relationship with Christ—the boy has obviously jumped with all the strength he has, and Christ’s power, in bronze shown as a rod extending from his hand, is there to bear him up.

I could write much more about this piece, and similar amounts about each piece in the exhibit, but that would far exceed the limits of this blog post. I hope I can find the time to take in each piece more thoroughly in the future. I hope I can discover more of how each artist testifies of Christ.

On a completely different note, here are some videos that I absolutely love love love. Being sick the past couple days, I've thought back on sick days in my childhood. Whenever I stayed home from school I would always watch PBS kids, and Sesame Street was one of my favorite shows. I never actually saw any of these videos, except for the theme song when I was young, but I have since discovered them and I sure love them.







--Christian